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Additionally, in early 2009, beyond my wildest dreams, scholar Jeffrey Noonan published a ridiculously detailed and meticulous Bibliography of not only the full Cadenza and Crescendo runs, but of virtually every periodical he had access to for his seminal work The Guitar in America of 2008.

An alternative scenario that I find perfectly reasonable is that the engraver copied an image of a Knutsen harp guitar, and when they got to the difficult-to-resolve mess of Knutsens early headstock with its crude individual tapered slots - they simply borrowed a design from a more traditional guitar (virtually any early 6-string image lying around would have sufficed).Knutsen licenses his patent and signs the labels, while continuing to use the Symphony name on his own now-evolving harp guitars.Both Knutsen and Dyer are thus using the "Symphony" name.) and the very recent (and exciting) finds of Type 3 harp guitars with serial numbers.As always, the books - both the Noe/Most Knutsen book and the assorted Larson Brothers books should be considered a prerequisite before reading these articles.

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